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Performance cancelled

Tonight's performance of BÁRKIBÁRMIKOR / ANYBODYANYTIME is CANCELLED due to the accident of one of the acros. 

Instead, you are welcome to join us to see UNTITLED by Sláva Daubnerová from Bratislava, Slovakia at MU Theatre from 8 o'clock tonight.

20:00 - Mu Színház / Mu Theatre
P.A.T. platform for contemporary theatre (SK):
UNTITLED by Sláva Daubnerová
Visual solo performance
Concept, director, performer: Sláva Daubnerová

Fourth Day

Today we focus on contemporary drama. At the Festival Club (Aurora str. 11.) you will hear about some of the latest Hungarian and American plays.

16:00 - Translators Attila Szabó and Noémi Kecskés introduce the latest playwriting trends of New York. They will present the drama antology titled Extravagant plays from New York, containing the works of five talented young playwrights.

18:00 - If you missed Reaktív for the first time  then you can make up for it now. These are the winners of the drama competition of titled Stay? Go? Where? organized by József Attila Kör and Trafo.

20:00 - Mayberian Sanskülotts concert

1 DECEMBER, Monday
Aurora – Festival Club
16:00 Discussion and readings with music: Riff-raff plays form New York
Five Contemporary American Drama translated by Attila Szabó and Noémi Kecskés. Moderator: Fanni Zahovai

18:00: Stage Reading Series: Reaktív – two stage readings of the winners of the drama competition Stay? Go? Where? by József Attila Kör and Trafó.
Ágnes Szil : Csak oda (One way), Directed by Zita Szenteczki e.h.
Viktória Fridl : Indul, ugye indul (It leaves, it leaves right?), Directed by Bálint Szilágyi e.h.

Mayberian Sanskülotts concert

What's up, Hungarian Drama?

Discussions on the current situation of contemporary Hungarian drama

You can often hear that contemporary Hungarian drama is in a difficult state. There are only a few opportunities to produce new plays or, for young playwrights, to introduce themselves to the audiences. But if you look closer, it turns out that the opposite is true. Many talents emerge, who can even introduce themselves in city theatres, or in the independent scene. Dramaturgs and already acclaimed playwrights help them creating forums, even in institutional settings. But can you teach playwriting? What is the BA in dramaturgy for? Does drama still exist today? What is the role of the text in a performance? How do they teach playwriting at the Univeristy of Arts at Târgu-Mureş?